#I don’t know how to get it out of my system
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glassesmcfancyhair · 2 days ago
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A lot of craft fairs and street markets charge anywhere from $10-50 for the booth space and they host their events constantly! Also, there are event organizers who host multiple markets and if you sign up with them they’ll tell you when and where the next one will be!
In my experience, the equipment you’ll want/need to invest in for the best experience for you at these events is:
A table (maybe more? I don’t know what you’re selling or promoting, so figure out how much table space you need!)
An 8x8 or 10x10 tent. If you have any sort of disability the 8x8 will be easier for you to manage! 10x10s tend to be sturdier but that means they’re heavier!
Tent weights! Most event organizers require these and you’ll have to leave if you don’t have them. You can buy actual weights but there’s also bags you can fill with water and Velcro to your tent. I like these better, they’re easier to manage.
Tablecloths! If you aren’t ready to brand yourself, just go get a couple nice colored ones that don’t clash with your stuff. Once you’re ready to brand, hit me up I got an excellent graphic designer who can build you a kit.
Chairs! You’re not going to be standing the whole time, so give yourself somewhere comfy.
Water and snacks! There’s usually food vendors at these things, but it’s good to have something at your table in case you have constant customers.
A payment system! There’s tons you can download to your phone and get a widget to read cards with. This makes it easier to sell things because a lot of people don’t carry cash these days. Still bring a cash box because there’s also still people who ONLY want to use cash.
A TIP JAR. I get it, it feels kinda weird and icky, but if you’re talking or making art right there, give people the option to tip you! They might not buy a $100 piece but they might give you $5 for the pleasure of watching you work.
And then obviously- your art! Display it, put up pictures of pieces too big to move, make it cool and fun!
There are typically staff running around who can tell you where to set up and where the bathrooms are. Setup usually begins an hour or so before the actual market hours and you’ll be expected to be set up and have your car moved to the lot prior to the market opening.
Then you just vend to people who come to your booth!
I think at some point in time we need to sit down and start explaining to artist who want to make a career out of art that there are FAR more options than just "living off of commissions" and "posting my art online and praying I get paid for it".
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aziraphales-library · 2 days ago
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hey mods!!! I loveeee your taste in fics, you awesome ppl always have amazing ones on hand!! I was wondering if you knew any fics where Aziraphale and Crowley are just absolutely silly and ridiculous lol, it’s soo cute!! Thx for all the fics, and have a nice dayyy
Hi! You might like to check out our #humour, #humor, and #crack tags for silly fics. Here are some more silly ones for you...
You're Telling Me a Shrimp Fried This Rice? by absolutely_obsessed (G)
"A 𝘴𝘩𝘳𝘪𝘮𝘱?" "Oh, yes." "The little..." Crowley lifted his hand up and held his pointed finger and thumb about three inches apart, "little buggers in the ocean?" "The very same," Aziraphale confirmed. "𝘊𝘰𝘰𝘬𝘦𝘥 that?" "Quite right, my dear." "𝘙𝘦𝘢𝘭𝘭𝘺?" Crowley asked, 𝘢𝘣𝘴𝘰𝘭𝘶𝘵𝘦𝘭𝘺 baffled. "Really."
Fighting A Duck For My Pants And Winning by ineffablefool (T)
"Missed connection. You were the angel sitting on this park bench, I was the demon fighting a duck for my pants and losing. If you saw me, please call me. (PS. I got them back - let’s hang out!)" (Based on a Tumblr prompt. Human!Crowley is a disaster, but fortunately the very pretty angel he disaster'd in front of appears to think that's endearing.)
Dear Raphael by asideofourown (T)
The thing was, even after Crowley Fell, Heaven forgot to delete his login to their system. The only half interesting thing he had ever found in Heaven’s archives was their newspaper, even though it was a dreadfully dull rag. But even then, Crowley was never inspired to truly interfere with the Celestial Observer’s contents until the late 1600s, when advice columns were invented on Earth. As always, brilliant inspiration struck him like… like whatever inspiration strikes like. So Crowley resolved to meddle, just as a side project. Maybe if he got enough angels heated at each other, he could report it as a victory to Hell. Anyway, Dagon had always liked gossip, and the Celestial Observer’s new advice column was a ready source of that. It was pure genius. [Crowley, demon of Hell, becomes Heaven's foremost advice columnist]
"And I Would Never Say 'Pickle'!" by SanSanFanFan (G)
What if they hadn't been able to switch back again?
You Know the Answer (So Scream It Out Loud) by his_infinitevariety (G)
“Between us we have 12,000 years’ first-hand knowledge of all of human history. I think we can manage a few silly quiz shows.” This is apparently what happens when Crowley convinces Aziraphale to watch a bunch of British quiz shows with him.
Haunt Your Own House, Thank You by musegnome (E)
The line had at last dwindled to almost nothing when Aziraphale looked up with his best plastic customer-service smile and saw sunglasses. “Hi,” said Crowley with a grin. “Someone told me I needed to order something if I didn’t want to get tossed out on my ass.” “An excellent suggestion on Someone’s part.” Aziraphale’s exhaustion melted suddenly away. “What can I get you?” The grin turned wicked. “I want a footlong.” Aziraphale rolled his eyes. “Don’t we all.”   (Or: The story of how Crowley, and Ouija boards, got banned from Subway. Inspired by the famous Ouija Boards and Seances are Not Allowed at the Subway photo.)
- Mod D
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weiila · 1 day ago
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”Fizz is going to break up with Ozzie because Ozzie didn’t help Blitz!”
No. No he isn’t.
1. Hell is not a social democracy with a fair trial system. It’s an oppressive feudalistic system that treats people wildly differently based on birth - Satan spelled it out in how ridiculously differently Stolas was judged compared to Blitz. Fizz knows this because he lives in the same system. His texts were in a panic and emotional but he understands how unfair it all is.
2. Note how even in that panic Fizz still treats Satan like a diety, like he’s conditioned to as an imp. He writes ”OMFS” = ”Oh my fucking Satan”. Even that frantic, Fizz knows who holds the power, and it’s not Ozzie.
3. Ozzie isn’t going to come home like ”hahaha so what a day, huh babe? How about Voxflix and bondage?” Ozzie is going to stagger home with his heads low and his first words are going to be along the lines of ”I am so sorry. Have you talked to him? How is he doing?” Because he’s Ozzie and he’s not a sociopath, and he loves and cares about Fizz, and by extension Blitz.
4. Both Fizz and Ozzie knows that there are people who disapprove of their relationship and it wouldn’t be difficult to draw a connection between Fizz and Blitz, and then accuse Fizz of being in an imps-seducing-royalty conspiracy and get him on the chopping block too.
5. Plot structure-wise it just doesn’t make sense. This is a pivotal point not only for Blitz and Stolas, but also for the oppressed masses of Hell, because now they have a hero in Blitz. Ozzie and Fizz breaking up would only be proof that imps don’t deserve happiness because of their low social status, and that’s not the message the episode was setting up, nor the overarching plot.
6. Outside of the show: You really think they released all that Fizzmodeus merch just to then have the two of them break up?
Fizz is going to be upset, Ozzie is going to be upset and defeated, they’re going to cry and sing about it together and then they’ll support Blitz and Stolas however they can. Together. Because the likelihood of them breaking up over this is in my estimates about oh… just below ”Gomez and Morticia Addams file for divorce.”
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glitter-stained · 21 hours ago
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Sense the current state of jason as character is stagnant do you think dc will ever purplish a good story of him, maybe he even kills of his red hood persona and goes on to be something else that would be something I would like to see but I don’t think it will happen. Dc will forever shoehorn him in to the batfamily. At least in his anti-villian era he was actually fun now his character is in a pitiful state
do u think theirs a chance of reinvent him as character anytime soon ?
Well first of all through spite everything is possible, so jot that down.
Like seriously, remember when it was so so incredibly over like Spiderman's Uncle Ben levels of over and then Under the Hood happened? Hell yeah I think dc will publish a good Jason story
Second I may not be the best person for this ask because I like my blorbos pitiful and miserable. Like yeah defiance is awesome but exhaustion -in characters who have been angry and alone for so long, beaten dog who got electrocuted too often to bite back- has a special place in my heart. But I also agree this has to be a transitional part of a story, the arc can't be "well he was hurt and then he was angry and then he was tired and he was miserable the whole time". Unless of course he ends up perma-dying in a really meaningful arc centered around his character but I'm not sure that'd be what I want for him, and we all know how lame dc is with permadeath nowadays. I'm also very mitigated with his villain side because yeah sometimes it's very fun and cathartic to see the angry/bad victim trope, but also the classismXpsychophobia of villain Red Hood sometimes are just too much; and also I'm a jaybin fan and sometimes I feel betrayed on jaybin's behalf by elements of his villainous characterization. (One day I'll write that damned UTH rewrite, I will).
With that being said!!! I love Jason because of his potential, he has so so much of it, that's what's exhausting about his many bad comics is that yeah. Yeah, dc can absolutely publish something more than good. They don't understand the goldmine they're sitting on in terms of potential.
What I'd love to see explored in hypothetical upcoming good comics (i'll talk more about it later with malfiora but for now)/how dc could go about reinventing his character :
1) addressing Jason's suicidality and getting him a functional support system (seriously, something's gotta give)
2) Get that boy a dog. Ik he had one at some point in N52 idc give him more dogs. Big ass rescue dog that's loyal and similar to him.
2) we need to figure out a way to let Jason keep being a Crime Alley/Park Row vigilant without being dependent on Batman. Like yeah he should explore the world away from him and heal but also i'm very uncomfortable with the idea that healing, for Jason, has to mean leaving the city and neighbourhood he grew up in and protected, has to mean be shoved out of his home by a guy who doesn't live there and, at least when Jason was a kid, only visited the place one time a year because of the anniversary of his parents' death- it's not fair and I won't accept it.
3) I so so agree about the "killing the red hood persona" or at the very least changing his vigilant name. Like I get the point, I understand the use he had for him, but his story can't be centered around the Joker forever (I keep thinking about the Joker's attitude to him in The Man who stopped Laughing and god, I can see a driving force to find himself as something else than what Batman and the Joker made him). At some point his name has to become something that is his and turned towards the future.
4) art + story that acknowledges how young he is (someone please let Jason take college class please please he deserves it)
5) perhaps most importantly: batman writers often sound like hardcore deontology or hardcore utilitarianism (and the occasional egoism) are the only acceptable moral philosophies. And for characters, it works! Like I can see Batman as a Kantian, sure. But for others, it doesn't fit as well.*
The cool thing about Jason's character right now is that he's a utilitarian, but a utilitarian that often isn't guided by his values. He can and will compromise on his philosophy in the name of love and being loved ( @bestangelofall called that a morality leash) and that already sets him as an interesting character in his own right. But in terms of redefining himself as a person after decades of defining himself through his pain (which, at 20-23 years old, he should get to do) I'd love to see an evolution of his morals based on love. Specifically, I'd love from his morals to shift from mathematical utilitarianism to agape, an ancient greek concept of platonic love for everything human, a movement towards the other that can be thought of as close to some conceptualisations of empathy. Mind you, that doesn't mean that he would stop killing! I can believe in a Jason who kills because or against of agape, the pain or relief that could be so good to explore in relation to that, how he would go on to define himself as a person... I feel like Jason has a certain tendency to kinda dehumanize the worst criminals as he kills them (a lesson from Judy, love her sm) which I love, but would also love to see him grow out of - learn to see and love everyone as human and what it means, a re-exploration of his empathy.
Imagine: a scene where he kills a guy because a kid victim begged him to. The focus on the image is on the kid's big wide tearstruck eyes, and then Jason's uncertain face, the kid begging him to kill the bad guy. And then Jason kills him and they're standing so close to eachother, and he's look him in the eyes and seeing the image of the kid's eyes, and then turning back to the kid while wiping the blood on his face and seeing the kid's wide eyes looking in disbelieving awe. And then kneeling and hugging the kid as he cries his heart out. And Jason's inner monologue during all that being something like "I could say that I killed him because I'm a bad guy; I probably am. Or argue the world is better off without scum like him; I could pretend I did it so he wouldn't hurt [x] again, or that I was thinking about all the other children he wouldn't be able to hurt anymore. But the truth is, I didn't. I killed him because [x] asked me to; because I could tell that he needed it. I can live with that."
Idk, that's the direction I would love to see it going, but simply "becoming even more open, louder and unapologetic about prioritising his love over his values, and being angry when it causes him dilemma" is something I'd love with as way. Very "Odysseus knows what he's going to choose the moment the gods tell him to throw the baby off the wall to see Penelope and Telemachus, but fuck if he's angry at the gods for making him make that choice" kind of vibe if you like Epic the musical.
*i'm not saying there aren't any characters in dc that fall out of this deontological/utilitarian false dilemma, it's just a vibe I get from batman writers at times, and as a consequence of specializing in one character I don't feel legitimate in exploring the intricacies of other characters because I feel like I'm lacking information and would be making uneducated guesses (that being said, I would fuck heavily with an exploration of Cass' morals VS Levinas' concept of ethics). If anybody has recommendations of dc characters that are neither utilitarian nor deontological (or are at least an interesting twist to it) I would love them so much please don't hesitate!!!
So yeah, idk if that answers your question, I don't pretend to know the intricate working of dc editorial. But imo there are wonderful possibilities for dc to reinvent Jason and write him into good comics -call me a blue lantern cause baby I got hope.
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officials-of-hell · 3 days ago
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One of the funniest things about my relationship with my partner ( @eternalparadisesys ily <3 ) is that in all technicalities, we don’t actually love each other. Let me elaborate on this
I have NPD and he has ASPD. We’re both autistic and due to those specific disorders, we both are incredibly low empathy. It actually cannot even feel sympathy, that’s how low empathy xe is. On top of that we’re both aromantic and acespec. So there’s not really any emotional love, romantic love, or even really that much sexual love between us
However, we still love each other in a practical sense. My partner cannot function on its own. He is incredibly high support needs due to multiple physical and mental disabilities. So our relationship provides xem with a caretaker he can trust. Whereas I am provided with a companion and a partner in crime. I am low support needs myself, but even then I couldn’t really live alone. However due to my lower support needs, I’m able to care for my partner while it provides me someone to talk to and keep me company
I also get a lot of supply from my partner. He provides me with the attention my NPD and HPD (killer combo right there ☠️) crave
And on top of that, my partner is the reason I will be able to ultimately pursue a service dog of my own one day. Xe thinks I could benefit from one and his special interest is dogs, more specifically working dogs. As a handler itself, he knows a lot about them and wants to help me acquire one for my own disabilities
Ultimately, to the public we do come across as a very loving and doting couple. Especially if we both have certain people fronting (yes we’re both systems). But in reality, that love cannot be defined by traditional means, and I think that’s beautiful
I talked about this with my therapist and her immediate response was “well that’s why the Greeks had multiple words for love” and you know what? She was right. Our love cannot be defined by eros or agape or anything like that, but pragma? Pragma defines it well
We stay with each other because there is mutual benefit to our relationship. I think that’s beautiful and we should normalise relationships forged out of mutual benefit. It’s a unique kind of bond and I would love to see it more
I guess you could call us queerplatonic but that doesn’t seem to fully cover it in my eyes. If anyone knows a better term, please let me know
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championofthefade · 2 days ago
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I’ve been thinking about this a lot myself lately. Not sure I have all the words to articulate it correctly, however. I genuinely am uncertain if this makes sense but here are my thoughts:
Justice and Anders merge together at the end of Awakening willingly (assumed and with some nudging done by Nathaniel if he’s alive still). Justice is then inside of a man that is angry at the way the world treats mages. Whether it had been Anders’ anger that twisted Justice or not, living in Kirkwall of all places definitely didn’t help as OP said. (Look at how Justice reacts with Karl in Anders’ companion quest.) Justice is being denied his purpose actively in Kirkwall. There is a clear imbalance between the mages and the Templars and there’s nothing that could be done to improve it, no matter how hard you try. An injustice of a system that doesn’t work for either side, imo. (Fuck the chantry, honestly.) The way we see it play out is that Anders writes his manifesto (in a rivalry) and is possessed by Justice when the Chantry goes up in flames. That was Vengeance, acting on its own accord because there way no other way to get results. Peace was thin as it was, even before Meredith’s Right of Annulment or Orsino’s turn to blood magic. Peace was a bandaid solution at best (imo) and probably wouldn’t have worked in the long run.
Lucanis and Spite, on the flip side, did not merge willingly. In a banter with Bellara, we learn Zara had used a method she learned from a cult in Orlais used to corrupt Seekers since they are immune to demons. This made me think of the Order of Fiery Promise, who force fed Cassandra’s apprentice, Daniel, red lyrium (he said it felt like a demon). Lucanis compared it to a “parasite in uncooked meat”, which is probably how he sees Spite, as a parasite (initially before coming to an agreement). We know that Spite is referred to many times as a Spirit of Determination (Seer Rowan, Compassion, Solas, and Hall of Valor Arena Isabela announcement), and he was possibly twisted before being forced to possess Lucanis because Spite probably didn’t want to possess a body (Solas parallel?). In spite of the year of torture and being forced to become an abomination, Lucanis walks a very poorly thought out plan of drinking coffee and not sleeping to avoid being possessed. Because it doesn’t always work. There are a few gaps I think needed to be filled in regards of just how much influence Spite had on Lucanis like Justice had on Anders, but I digress. In the end, Spite and Lucanis are able to come to an agreement (depending on how you play) that they could agree to complete ‘contracts’ together as a team. Examples of this is if you say save Caterina or get revenge for Illario’s betrayal.
My point is, Lucanis and Anders had different approaches to their possessions. I don’t think either of them fully came to terms with being abominations, but they found a way to live with it. And depending upon how you play their stories, mainly Anders in this, it’s a matter of can you still see the man or is it the monster he was afraid of becoming.
i think it’s a little unfair to compare spite and justice’s ability to act normal against each other, or to act like spite just being a misbehaving cat diminishes how hard it was for anders justice to cope with possession. spirits in the material world get upset when they can’t fulfil the pure ideal they seek. spite is a creature of spite and gets to kill people trying to hurt it basically all the time. justice is a creature of justice and was living in fucking kirkwall
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voidspiraling · 3 days ago
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Omg Till is so cute whattttttt. Excuse my brain rotting I just needed to get this out of my system.
LOOK AT THEM SO CUTE
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ALL OF THEM SO CUTE!!!!
Ahem.
Now time for some serious analysis 🧐 (I don’t rlly get anywhere tho so less of an analysis and more just me asking a bunch of questions hoping for an answer from the void)
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One thing I noticed aside from how cute Till is his eye bags.
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This baby Till doesn’t have eye bags yet, so we can conclude that Till was starting to become sleep deprived after the age of 3 and before the age of 8. (I’m just making a guess based on the pics of their age Till could be 12 in that picture I truly couldn’t tell you)
Now what does this mean when a child is continuously sleep deprived by a stupid alien?
Impacts Behaviors: Harder to pay attention, prone to mood swings, and increased impulsivity (Yep that’s Till)
Impacts Mental Health: Increases the risk and severity of depression and anxiety (What do you know that’s also Till!)
Impacts Brain Development: Negatively affects the memory and intelligence parts of the brain (Do you guys remember that brain scan that showed a brain suffering from trauma?)
As you can see from an early age Till was already put through the wringer before he even got a bruise. I say this because sleep deprivation is extremely torturous regardless of whether it’s forced or self inflicted. Mentally and physically not getting enough sleep fucks up every aspect of your life. The lack of sleep could be bc Till was staying up late, it was noted by other Anakt kids that Till kept them up at night bc he was practicing his music. It could also be bc Urak forced him to stay awake.
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Like when he made Till watch videos of a younger Luka. Overall my heart broke once again at the way they treat a literal baby. Another thing I want to point out is their necks.
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I’m leaving out Ivan cuz he doesn’t wear the collar anyways. But Mizi and Sua both wear the standard (I’m assuming standard bc they’re the most common) collars both lit up green. They’re living in a little bubble and while they look cute, knowing how their story goes makes them look uncanny. Anyways this is the collar most of the kids wear.
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But Till is wearing a different collar and also is wearing a green patch. It always made me curious why he has different collars compared to the rest. Like I get it’s bc of the fact that he rebels a lot so he has a lot more restraints. But this collar is thinner and more metallic than the other ones. You’d think that if they were trying to punish him more they’d give him a bigger collar or a more restrictive one. They forced him into one that restrains his arm to his torso and one over his mouth. But this is just a thin collar that he wears on stage and it doesn’t seem to have any function other than to be a small collar. It also doesn’t show a mood indicator like the other ones do. I guess bc Urak doesn’t care what Till is feeling so he didn’t bother getting that feature. But it also makes it ambiguous what Till is feeling. In the picture while Mizi and Sua look happy, and Ivan looks focused, Till looks shocked and perplexed about writing in the air. (And adorable but when doesn’t he look adorable?) Anyways I can’t for the life of me figure out why his loser alien would get a custom collar that is so simple. From what I’ve gathered abt that freak he grew up in the slums but due to his greedy nature and inability to have compassion was able make it big by doing illegal shit. So maybe it was cost effective to just make simple collars instead of getting the standard one? What a cheap bastard.
Another thing that confuses me is the green patch on his neck.
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Just what is this? My first thought went to nicotine patches and insulin patches. But those aren’t suppose to go on the neck, usually on the arm. Then as I did my daily watch of Round 6 I noticed that Till has been injected with unknown substances through his neck.
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My guess is that the green patches are injecting him with some type of drug. And because the skin around the neck is so fragile the drugs can seep through easier. (It’s completely unsafe but in line with how the loser alien acts)
There are two possible explanations.
One is that Till has become addicted to the drugs they pump him with. And in order to keep him normal and keep him from showing withdrawal signs they use the green patches like a nicotine patch. Drugs have been used by artists as a way to further their craft. Some have even become reliant on it in order to make art. There’s a sense of enlightenment as well, some use it as a way to gain a new perspective on life. I personally can’t understand using drugs for that purpose, but some of the greatest works of art have been created through the use of substances like these. So it’s possible that Urak in his attempt to create a weapon that could topple Luka tries to make Till produce songs using that method. Such as injecting a bunch of drugs and leaving him in a room to write songs.
Two is that they use the green patch as a way to sedate Till, or as a way to enhance his performance. As evident by just looking at Till you can tell he’s running on fumes when he’s on stage. So maybe as a way to push past his limit they drug him so that he can keep performing even when his body is at its limit. The patches are only seen in Round 2 but that could explain why Till got a nosebleed when he was performing in Round 7. His body was finally catching up to him.
Alternatively they could just be there to cover up the wounds from injections while also looking cool lol.
As you can tell I am very confused ;-; but also very curious abt these experiments. They seemed to be focused on the throat and mouth which makes me think they’re trying to modify how these kids sing. Like are they trying to make it so that they can sing outside of their vocal range? Are they trying to make it so that they can sing without having to breath? Or maybe the drugs can affect their literal genes. I know human editing is a procedure in Alien stage universe but what does that actually mean? Can you edit their appearance? Their personality? Their memory? Their thoughts?
My attempts at analysis have only left me with more questions.
Thanks for reading byeeeeee
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monstersinthecosmos · 2 days ago
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First, you write a lengthy post claiming that Marius treats Armand like an animal, and then you wonder why Armand and Marius shippers are seen as outcasts in the fandom. You present humiliation, disrespect and devaluation as something sexual and normal in their relationship. There is a difference between not seeing Armand as an adult and independent person and not seeing him as a person at all. Like, you're literally doing ALL the work for the antis, LMAO.
If Marius sees Armand as a cat, then maybe he shouldn't be left alone with animals
just saying.
Like, 'Armand, Marius picked up a shepherd dog from the street today. You both share the same level of love, respect, and significance! 😍 But don’t be upset; being someone's dog can be great! And remember, you actually like it! 🥺'
BEST GASLIGHTING EVER
Maybe he’s okay with this situation because he doesn’t remember what real kindness feels like? Roleplay in bed for the sake of temporary humiliation is one thing, but to see someone you’re in a romantic relationship with as nothing more than an animal is just messed up. What are you even talking about? 😭
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Yknow what.
I’ve been marinating on this all day and thinking about ways to respond kindly, because I think leveraging literacy at people in fandom arguments is really fucked up and that isn’t the person I want to be. I've even had my own journey in VC fandom because when I first joined Tumblr, the big meta writers were condescending as fuck and used to make me feel really stupid for liking Marius, and that's such a destructive and unwelcoming attitude. It took me a really long time to feel brave enough to even share meta, because of those folks, and now I have to worry about you chodes. And it's just a never ending Sisyphean task to cultivate a space where Marius fans feel safe. And that's for EVERY Marius fan, not just the ones you deign pure & good enough to exist. In fact, it even goes for all the book fans in general. I don't give a fuck if someone likes Marius--everyone is allowed to participate if they're not going out of their way to hurt people. You're an adult. Block people and curate your space, it's not my job to do that for you.
Everyone, at every reading level, is allowed to participate in fandom, and I think we can’t be true leftists if we don’t acknowledge the education problem in the US. (Assuming you’re American because Americans Feelings Yakuza tend to behave like this but if you’re not American, good job blending in, it's really embarrassing for you.) I don’t think I can ethically condemn the degradation of our education system and I don’t think I can condemn this sect of fandom’s violent anti-intellectualism if I don’t also show sympathy for its victims. I'm really sorry that your parents/teachers/whoever failed you this badly and I hope things get better for you, because I don't wish this on anybody.
So when I turn into a cunt in thirty seconds, I want you to know it’s not because I think you’re stupid. It’s because I think you’re a fucking asshole. <3  And I don’t care what the fuck your problem is, it’s YOUR problem, and we don’t have to tolerate this type of thought policing and fascism in a fandom space. You don’t get to talk to me like this just because you don’t like stuff that I write.
Having said that, I also am just, particularly fucking baffled by how incoherent and ideologically unsound this ask is, not to mention how blindingly, willfully ignorant it is. Like, I hate to say this, but it’s SO stupid that I almost can’t believe someone would actually say this to me, and it makes me wonder if you’re like, an outside agitator pretending to be one of these Mariusblr morons to bait me. So I wondered if I shouldn’t validate it with a response, but then I thought,
Fandom deserves to see this lol
You actually did a good job of imitating this attitude that I DO see, for real, in this fandom, so like maybe it’s a public service to bait me to get me to talk about it. So I guess I will.
Now, I did talk about this topic here and I said what I need to say. I already said everything I needed to say on the topic of doting upon the cute little mortal, and to send me this anon after reading that post, the reading comprehension is either ABYSMAL or you’re just pulling an OH SO YOU HATE WAFFLES on me which is like. Why. Lol.
And I can’t help someone who’s determined to misinterpret everything I will ever say, no matter what. But again, I’m kinda posting this as a fandom PSA because this is a great example of the braindead nonsense that goes on in Mariusblr and I think the people deserve to laugh at you lol, so if you want to misinterpret me some more, I can’t help you.
We’re not gonna discuss Marius in this post. What we’re going to discuss is the idea that “””THE ANTIS””” are out to get us, and the irony of couching anti hysteria in this exact message.
So let’s go back to basics and refresh on what the fuck a fandom anti is.
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So when you talk about FANDOM ANTIS, I actually have to ask: Babe are you seeing yourself right now? Are these antis in the fucking room? Is the call coming from inside the house?
You don’t get to have a little bit of censorship, or a little bit of harassment.  If someone outside of our fandom saw this post, without the existing context of who Marius and Armand are, they’d think YOU were the anti for telling me how to interpret this ship, not to mention whatever the fuck is this weird kinkshaming. Censorship is bad, full stop. It's not, censorship is only bad when it's the thing I like. Same for leaving people twatty anons. Bullying people is still bad, and you don't get decide who deserves it.
You don’t get to cry about antis and then pop into people’s inboxes to ridicule them because they didn’t read the book the same way you did. You don’t get to lecture me about kink and ship dynamics. YOU ARE NOT FIGHTING ON THE SIDE YOU THINK YOU’RE FIGHTING ON.
And isn’t it ironic that I’ve been Mariusing on tumblr for like, unfortunately, eight fucking years now lmao RIP, and I’ve been harassed about Marius MORE by you fuckin dweebs than I have by the actual antis.
Now, again.
I never want to tease anyone for their reading comprehension. I’m not making fun of you. I’m gonna spell this out because I want to help you, because I can see that reading isn’t your strong suit.
The fight about antis & proshippers & censorship is not a crusade about character apologism and defending ships as being moral, it’s about distinguishing fiction from reality and allowing people to enjoy fucked up art.
You aren’t accomplishing what you think you’re accomplishing here. Like, first of all. I don’t give a single flying fuck about “”the antis””. Let them masturbate in abject shame in the privacy of their pitch black bedrooms. It’s not my business. What horrifies me here is that you yourself are the anti in this situation.
You are in my inbox scolding me for my amoral shipping.
You are in my inbox upset with me because I celebrated that a ship I like is fucked up.
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A proshipper would’ve read my post and gone “Eh. I disagree but that’s okay.” And kept scrolling. Maybe they even block me! That’s fine too!
But how the fuck are you gonna sit there crying about antis when you’re the one harassing everybody lol.
And let’s not jerk off here; the sincerity with which you are complaining about antis in my inbox is SO fucking lame. Like can we please go outside?
I’m no stranger to fandom drama (like I said, I’ve been Marius Tumbling for like 8 years and I’ve done my time in Sheith Hell) and I understand when these terms are useful shorthand for a fandom-specific problem. But I also think, what if we grow up and speak honestly about what antis are? It really blunts the harm of the entire ideology, especially when you're misusing it this egregiously, and I think there are times when we deserve to take censorship and fascism seriously, because it's not a coincidence that it's spreading inside fandom at the same speed it's spreading outside in the real world, and I want you to think really hard about which side you're on.
Like, what if we use the term “conservative” or “Frollo” or “fandom police” or “FANDOM MAGA” ?? You come to me upset that I’m somehow giving some boogeyman ammunition when like. THEY ALREADY HATE MARIUS, WHO THE FUCK CARES. When you change the topic from “Fiction is allowed to be fucked up” to “It’s okay to like Marius because he actually didn’t do anything wrong” you’re COMPLETELY missing the point, and in the same motion you are upset with ME for implying that Marius did something wrong.
And it’s so fucking hypocritical? Like this is the same as when the fandom conservatives have ACAB in their bio while also harassing people--you are adopting language to fit into an identity when you don't actually understand what you're saying. I would've thought VC fans--especially Marius fans--would be more aware of cult behavior & groupthink and see the red flags more easily. (Again, having sympathy for you: Please escape this cult.)
How often do we see arguments break out in fandom where we go “If you’re upset with Marius, why aren’t you upset with everyone else?” Or like, I CAN ACCEPT THE MURDERING AND RAPE BUT DRAW THE LINE AT WHIPPING THE 17 YEAR OLD. Like. Where do YOU draw the line?
Is it okay to talk about Marius as a murderer? But we’re not allowed to say that he has some emotional problems? Also didn't one of you chucklefucks accuse me of being ablest lmao the irony.
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It’s also fascinating that this camp in fandom is constantly crying about how like, antis DON’T UNDERSTAND ANNE RICE and how MARIUS/ARMAND IS CANON and yet …………………. Was anything I said not also canon? And where do you get the balls to use Anne Rice as a shield when she also said the same things that I said. She wrote the fucking book.
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You know what.
I feel really strongly that like, in a fandom, people need to have better etiquette when they complain about THE THING vs THE FANS OF THE THING. For example, I have zero problem with someone coming out of TVA disgusted and triggered and writing analysis of Marius being a disgusting creep. We don’t have the right to tell someone not to feel that way.
What I DO have a problem with is when people say “Marius is a disgusting creep and his fans are gross for enjoying it.”
And what YOURE saying, essentially, is that I’m gross for enjoying Marius in the way I read him.
Not to be like, a fucking, egomaniac, but. I have to say this lol. Do you know who I am?
Are you new here?
Have I not worked hard enough to establish that he’s my favorite literary character of all time and I adore him to death?
But I have different headcanons than you so I’m a bad person?
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Anyway.
This has gone on long enough, I think I’ve made my point.
I genuinely can’t tell if someone like ChatGPT’d this anon to me just to rile me up and get me mad at that side of Mariusblr, but the truth is that like. I’ve seen them say these things. I’ve been blocked by these folks. Every time I write meta where I acknowledge that Marius isn’t perfect, they vague me to fuck. So honestly like. It’s not out of the range of possibility and I’m going to take this opportunity to talk about it because some of us are fucking normal about a book and we just want to have fun and post meta and write fics and like. If you don’t like my meta and fics you can simply move along.
And you know what else!!
WE ALL SEE THIS. You make fandom uncomfortable for everybody. Every time I do acknowledge this, I get people in my inbox talking about how uncomfortable you’ve made them and how they became hurt and decided not to share in fandom anymore. That’s you doing that. It isn’t ~ the antis ~. It’s you, because you don’t let anybody enjoy the books the way they want to enjoy the books. And I think it’s really interesting that I’ve noticed that half of fandom sort of cannibalizing itself lately. And I don’t think it’s a coincidence that  this whole group of clowns blocked me around the same time, when their jackass ringleader originally got mad at me for flagrantly misunderstanding something I said. This is that same abysmal reading comprehension and violent anti-intellectualism coming back to bite you in the ass. And so like, I have to also ask, if you have some issue with me, maybe consider the source, and if this person is perhaps a complete douchebag who will cannibalize their own friends the second they step out of line. And I wonder if there are any receipts for my alleged atrocious behavior, or if I was always just minding my own business and writing fanfic and sharing meta and being nice to people, and encouraging people to ship whatever they want, and allowing people to read the book differently than I did.
You don’t get to tell people what type of content they’re allowed to create. If you’re very concerned about how people read Marius, maybe write your own meta. This is MY space, not yours, and you’re not going to kinkshame and censor me, and you’re not going to bully me.
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This is ridiculous and you’re a joke.
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thaltro · 2 days ago
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would it be alright to ask about your alters?
Sure I don’t mind
I’m always a little nervous to talk about personal system stuff because I don’t want it to come off like it’s a fun quirky condition to me, im very uncomfortable with how a lot of system spaces romanticize it in a way which leads to a lot of misinformation. But to some extent I think talking about personal experiences is good and can be useful for educational purposes. I won’t share everything because it’s a extremely traumatic disorder and it’s the internet. But there’s no harm in asking me questions, I’ll answer them if I’m comfortable, as long as it’s not super intrusive.
I’m not too sure if this question was asking me to give background information of my parts or for me to answer if it’s okay to ask questions but I’ll give a vague background description.
alters/parts/headmates/ whatever people call them, in my system have a pretty easy to understand hierarchy
1) There’s a host and at this point in time it’s me, the host is almost always an ANP or Assumingely Normal Part. My function is for daily life like school, drawing, and socializing, im here a majority of the time.
2)Below me are supportive ANPs who help me if I get overwhelmed, they don’t take on as big tasks like me but if I overwork myself they have low enough amnesia barriers to be a substitute for me
3)Below them are functional EPs (emotional parts), these emotional parts are able to function but usually only come out during traumatic events. These alters tend to be older in existence going far back from my childhood. They have higher amnesia barriers
4)Below them are Self destructing EPs, these ones try to destroy the body in some way or cause some sort of harm to others, they do not know anything outside of their traumatic event
5)Below them are Littles, who are all EPs and all hold the most severe Trauma, their realities are broken and can’t comprehend time passing at all, most are in deep set denial of anything around them.
I’m okay with talking about alters from 1-2 and maybe 3 but below that it would be unsafe for me to talk about them in detail. By that I mean personal stuff, if people want to know about Littles and self destructive alters I’m ok with talking about that as a general concept! Just not mine specifically
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nickscodthoughtsblog · 3 days ago
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To Understand (König/Nikto)
The inevitable followup to Shot in the Dark. this time they get to talk a lot more and Nikto helps his new friend understand his situation. i did some research to understand dissociative disorders myself, but if there's some stuff that's not right, i apologise, im still learning. enjoy!!
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He didn't get a lot of chances to speak to Nikto again after the first time. He was either busy, or Nikto was gone. Two days later, Krueger was back, safe and victorious. It was kind of nice to see the Russian not sitting alone. But König couldn't figure him out. He referred to himself as we. He could understand they and them, but we? Outside of a group setting, it didn't work. He was missing something.
He was walking towards the gym when he ran into Krueger, only stopping when he felt his hand on his shoulder. “King. One moment.” He stopped him, pulling him to the side of the hallway. König let him distract him from his thoughts, practically welcoming it until he spoke. “Nikto said you tried talking to him.” 
“I didn't try.” König was a little put off by the wording. “We talked for…not very long, granted…” 
“Exactly. You tried.” Krueger replied, a hint of smugness mixed with his accent. “Not my point.”
“Did I upset him?”
“Nein, nein…he was the smallest bit happy when he told me.” He paused, putting his hands on his own waist. “What the hell did you say to him?” It was like he was imitating an angry mother telling a child off for being a bad influence.
“Almost nothing. I got his name, and said it was good to meet him.” König explained. “Is it wrong he's slightly happier?”
Krueger huffed a little. “You're misreading me, and you know it. I'm just wondering how you do it to everyone you talk to.” 
That was…almost concerning, actually. “Do what?”
“Scheiße, King, you have got to notice it by now. You always have a good impact on everyone in KorTac. Even Nikto. He said his system kept thinking of you after you talked.” 
König was about to quote his own mother in that “kindness goes a long way”, but that word caught him out. System… “His what?”
Krueger shrugged, his arms settling crossed across his chest. “It's what he calls it. Whatever it is. Haven't got a straight answer out of him.” So, Krueger doesn't even know everything about him either. God, did anybody besides the top brass know a damn thing about him!? “... you still there, King?” 
He blinked, getting his thoughts in order. “Ja, ja. Do you know where Nikto is?”
“If he hasn't moved yet, he's…probably outside, near the training field?”
“Danke. See you later, Krueger.” And he left, nudging him accidentally as he walked past. Krueger had no time to ask what got into him.
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It was cold out, but it didn't stop König from going out and finding Nikto sitting on a bench, by himself. “Nikto, there you are.” He greeted him as he came to a stop next to him. “Mind if I join you?”
Nikto looked up at him, studying his face for a moment. “... feel free, König.” He watched him sit, not uncomfortably close, and not awkwardly far. “Did you need something?” 
“Oh, nein, it's just been a while since we talked.” 
“It's been two days.” 
“Ja…that is while, isn't it?”
A small huff. Amusement, he thought. “Mm. You're right.” It was strangely relaxing to hear. 
But then it went back to quiet between them. Kὅnig wasn’t really sure how to bring up his questions about this system of his. Not yet, at least. “Say, Nikto.” He caught his attention, those distant eyes turning to him. “It’s pretty cold out, isn’t it?” 
“A little.” He took a moment, looking up at the cloudy sky. “...do you think we’ll get snow?”
“I don’t know.” Kὅnig joined him in watching the clouds slowly drift above. It was quite calming to sit here and watch them with him. “Would you want it to?”
“...да. We like snow.” he replied, only pausing for a moment, like he was thinking. Maybe he was seeing what his system wanted him to tell Kὅnig. “It’s…calming. Like a gentle blanket. I like it undisturbed, smooth…это нас расслабляет.” A few seconds go by, before he glanced over, noticing the slightly confused look in the Austrian’s eye. “You don’t know russian, do you?”
“Ah, nein…” he rubbed the back of his neck under his sniper hood.
“Neither does Krueger.” Nikto looked back up at the sky. “Helps to…hide things from him.”
“Hide things?”
“Things some of us don’t want him to know.” 
“You mean your system?” Kὅnig couldn’t hold his tongue fast enough. 
Nikto’s eyes snapped over to him. “...did Krueger tell you about that?” He nodded a little, slightly nervous he overstepped. “...сука…”
“I’m sorry, should I have not said that?”
“Not your fault.” Nikto grumbled, adjusting and sitting up a bit more. He held out his hand. “Your phone.” He was a little annoyed, but was glad Kὅnig didn’t resist, taking out his phone and unlocking it before placing it in his hand. He sighed, and typed something into the browser before handing it back. 
Kὅnig read over the page. “...dissociative disorders?”
“I was diagnosed a few years ago. Acute, as they put it.” He didn’t watch him read the information. “Don’t expect me to tell you how or why.”
“I wasn’t.”
“Good.”
It was a lot to take in. He spent a bit of time just scrolling and putting things together in his head. “...you didn’t have to tell me, you know.”
“Да. But better I tell you than Krueger.”
“So…he knows?” The Austrian looked back over to Nikto, curiosity in his eyes. “He said he couldn’t get a straight answer…”
“Of course. We told him not to tell anyone.” he huffed. “He missed the part where we meant any of it.”
“Ah. Well, I won’t tell anyone if you don’t want me to.” 
Nikto paused, looking over to him once more. “...thank you.” 
“Of course.” He didn’t want to make him uncomfortable after all. “So, do you like winter then?”
“...it brings some comfort to us.” Nikto replied, not taking his eyes off the tall man. He only nodded a little in return, not pushing it but seemingly open to hear more. “One of them finds peace in the cold. Comfort.” He settled, letting himself be a bit more open. 
“I can see that.” Kὅnig replied, nodding. “It can be nice to watch the snow fall.” 
“Да. She thinks so too.” 
Kὅnig thought for a moment. “Would you mind if I…ask some questions about your, uh…system?”
“Why?” was his immediate response.
“So I can avoid offending you.” He didn’t expect him to respond so…genuinely.
“Go on.” He didn’t see the harm, though he was tentative.
And they sat there, not minding the cold as Nikto answered some of Kὅnig’s questions. Things like “What do you call the others in your system?” and “They have different genders?” were simple to answer, and he was more than comfortable to. There were more sensitive questions he was unsure about, but the big man didn’t try to coax anything out of him. As soon as he saw the uncertain look in his eyes, he stopped, giving a small apology and changing the topic for a bit. Krueger had mentioned he had an odd talent for getting on everyone’s good side. He had thought he was just forcing everyone to be his friend. But just from how he didn’t press hard topics, it…didn’t seem that way. 
Nikto didn't bother to keep track of the time on a good day, but it felt like it was flying by. Questions and answers between brief pauses, information not only given, but received. It seemed like every answer he gave paid for a small story in return. For telling him about the therapy he went through after his diagnosis, he received a description of Kὅnig’s own sessions for his social anxiety - how a man bold enough to approach him for conversation could have anxiety was strange, but he was in no position to judge. A short explanation of how his alters work, for a more light-hearted story of the cookies Kὅnig’s mother made for his birthdays. It was nice to hear that he had a family life that wasn't in tatters. 
Ten minutes ago it didn't even seem like he was fishing for details on the disorder. He focused more on how Krueger became close to Nikto, and went on to tell him about his friendship with the others in the PMC. One long tangent. Even now, he was recounting the times Horangi had placed bets with him over seemingly random things. Unfortunately, his phone buzzed, an alarm reminding Nikto to get something to eat. Kὅnig stopped when he saw the masked man close his eyes and sigh. “What's wrong?”
“Nothing is. I have to go get food.” He stood up. 
“Have you not eaten yet?” He seemed pretty shocked, checking his phone. “It's six in the afternoon, Nikto!” 
“We lost track of time. It's fine.” He dismissed it. “One thing, though.” He stepped closer to him, staring him in the eyes. “Do not tell anyone what we have told you. Да?” 
“I promise.” 
He kept staring into his eyes, just to see if he was lying. He didn't seem like he was. “Good. Just making sure.” His hand came up, solidly patting his shoulder twice as he walked past him. “See you, Kὅnig.” 
Even as he left, he was glad the big man had decided to try. He was almost, in some way, disappointed the talk ended. 
Maybe it could go on longer next time they spoke.
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loneliness-of-spring · 1 day ago
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If you were a magic girl, what would your transformation be like? Also, would you rather fight against your darling Jade or fight with~
Either way, what bliss for him, really🫶
CERUUUUUUU YOUUUUUUUUUUU. YOUUUUUUUUUUUUUUUUU 🫵🫵🫵🫵🫵🫵🫵🫵 DON’T YOU DARE PRETEND I DON’T SEE YOU BEING DOWN BAD ABOUT CATER. BLISSFULLY IN LOVE. POT CALLING THE KETTLE BLACK!!!!!
I don’t have a magical girl transformation myself, and I’m ass at drawing one, but I would think it’d be very flowery, specifically full of periwinkles!
I would fight with Jade, hands down. I would not win against a fight with him I am a pure panic button masher (evident in any game I play really) while he is calculated, meticulous and precise. I fear having him as an enemy 💀 If he were real I would NOT wanna get on his bad side he would obliterate me EASILY
However >_> Li Xue IS a magical girl in canon >_>
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I ramble more about it under the cut
Pretend I didn’t forget her hairpin in the doodles in the third photo
Okay!!! So Li Xue has been around for quite a while (a year? Or two?), going through MULTIPLE design changes, and only now am I more capable of drawing her the way I want to. Essentially, she’s part of my own PMMM x TWST concept back when I noticed the multiple similarities between their magic systems (and possibly plot ahem timeloop theory ahem).
So far I’ve changed a LOT about her that she’s pretty different from her previous designs, while keeping the staples:
1. periwinkle theming
2. sword as her magical girl weapon
3. Traditional chinese clothing and aesthetics (mainly hanfu)
And I’ve also doodled some interactions she would have with Jade in that third photo above! Non-canon to my concept, because in canon she’s hiding the fact that she has magic in the first place. But if she were to have revealed herself as a magical girl before book 3, I think Jade would be slightly intrigued, which gradually rises during the fight underwater when she makes use of her ice magic to give him an annoying time. Would definitely treat her like a lab specimen and poke and prod at her relentlessly just to find out about her abilities and weak spots. Her magic is different, how does it work? Can she only use just ice magic? Is it her equivalent of their world’s unique magic? So many questions awaiting their answers.
In book 4 is when they start to work together, albeit only a truce formed out of necessity. She still isn’t fond of the Octavinelle trio and their roundabout manipulative tactics, but what choice does she have when stuck with an equally conniving perpetrator? She gains more insight on the inner workings of Jade’s and Azul’s minds and machinations when working with them to form a plan. When it comes to combat styles, Li Xue is definitely close-combat focused, so Jade takes on a supporting role by covering her with long-range attacks. If these two practiced together more, they’d definitely be able to come up with a whole lot more coordinated attacks, too.
It’s 5am and I don’t know how to end it off uh. Yay!
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vacantgodling · 2 days ago
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i'd like to say that this year was more of a planning year than a writing year; not to say that i didn't write; but i spent a lot more time on outlining, worldbuilding, and a new skill that i've added to the fold -- conlanging(!!). because of that, i didn't hit all the goals i made last year but tbh that's aight. without further ado tho:
TOTAL WORDS WRITTEN [january 2024-november 2024]
111,535 (as of 11/15)
once again, if this was all in one place, that would be a full novel but. speaking of full novels:
2024 GOAL STATUS
❌ reach 150k words written overall ✔️ finish cage like it’s GOING to happen i will it ❌ finish the first draft of paramour!!!
so i'm only 1 for 3 and tbh i'm not that mad about it. finishing cage back in february was one of the biggest writing highlights of this year because i showed myself i could do it, i CAN finish something of novel length if i really put my mind to it.
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(and yeah, i really did go and get it printed out lmao)
and more than just the accomplishment of writing 82k in one piece, it's also helped me really understand and work out what systems and processes i need to have set up prior to writing to make it work. this is why outlining has been such a huge undertaking for me this year, in varying levels of success (lmao). having a fully fleshed out outline with the literal beat by beat playout of how i want the story to go helped me TREMENDOUSLY in pushing through cage. even on chapters that were rough for me, having that outline to fallback on made it so much easier to stick to a every week one chapter system. and its something i plan to implement with my original wips too.
the only issue is, because original work inherently requires more work since there's no framework except what's in your own head... its been a bit slower for me writing wise. BUT next year i will be operating out of a desperate need for whimsey so i think i'm going to make my goals much.... less stressful than i did this year.
2024 WRITING HIGHLIGHTS
FINISHED CAGE! biggest accomplishment in my life right now tbh. seriously if you haven't and you have any interest in overwatch at all go read it and leave me nice comments while you're at it lol. technically i am working on the interlude piece between cage and its eventual sequel, schism, but that's been kinda slow going as i don't have much motivation to do it right now. first chapter of it is also up on ao3 though -> interlude - quiet
created a conlang??? in a very bizarre turn of events i have created a conlang for my wip with the working title HE WHO SMITES THE SUN (under the tag #s: ph). the language itself is called dzonime'si and if you want to see more of that process check out my #ren fights linguistics tag :)
finished the entire "first draft" of my wip betwixt thumb and forefinger--which is actually an idea that i only thought of this year so that's fun. for the uninitiated it is a gothic reimagining of twilight but with a shit ton more body horror and prochoice commentary. the reason first draft is in quotations is because it is technically a 16k word long outline that i am considering draft one. draft 2 is literally me going bullet point by bullet point and expanding the draft into something more akin to prose. i do have the first few paragraphs of draft 3 started, which is where i'm going to attempt actual prose writing for the first time. pretty much, btaf is becoming a very lengthy process but it's my first "test drive" on how this new outlining to written prose for my original projects will go. i've just gotten... distracted by other wips since then.
2025 GOALS
to be honest, i don’t know if i have many hard goals for next year. mostly because of *gestures at the state of the world right now* :))))))) it’s blatantly obvious that when things are tough, it becomes more difficult to do the things that you want to do that bring you joy. amid trying to just survive the day to day, there’s also my desires to get more involved in bothering the FUCK out of my senators, looking into ways i can be more involved locally (without burning myself out) and just generally trying to not let the state of the world get me down.
i think there’s a lot of things i want to do. i want to finish a bunch of outlines for my wips becuase i can’t tell you how REWARDING it’s been to be able to fully just go back and reread btaf’s outline whenever i like (and have the AMAZING multi leave comments on it like that’s actually another huge highlight of this year thank u friend 💛) and get excited about telling this story all over again. it motivates me to keep doing it! i'd also love to finish btaf's draft 2, maybe try and finish interlude - quiet etc. but—long story short. i don’t think i’m going to put myself on for any particular goals. next year is going to be about celebrating wins in any and every capacity. so all i wanna do is give myself wins.
looking forward to seeing y’all next year, crying about our ocs as usual
💛 ren 💛
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orleans-jester · 1 day ago
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There’s nothing slow about cold water. Not the way that it gets into your skin, into your pores. Not the way that if so much as a drop gets into your system, it feels like your esophagus and lungs are being attacked with a thousand stinging knives. It’s not refreshing like a cold shower or a dip in the pool. It’s pure pain. It was fight or flight when you couldn’t do either because you were too fucking cold to move, your muscles growing stiff, freezing.
Figaro literally only had the strength to get that Leo line out before everything else was taken from them. They weren’t able to help scramble onto the land with Willem and Nelly’s help, just laying on the ground, soaking wet, taking heaving breaths that hurt with each new inhale. That feeling when you have some very minty gum and then breathe in cold air? That times a thousand. With KNIVES.
And yet, not once throughout this adventure, did they ever think ‘Man, I wish I didn’t agree to this.’ Not once did they fault Willem for bringing them to this crazy other place with the cold and the weird fairies and Cap’n Hook and Peter Pan. This was better than a movie. This was like Pan’s Labyrinth with Targaryen hair! Even shivering, even with skin reddened from the cold, and teeth chattering, and blue lips, they didn’t regret a diddly damn thing.
They were muttering to themselves though. “Okay, what horror movie nuh - knowledge do I have th-that can help?” They said, stumbling on frozen feet to get towards the more stable land while Willem was calling for his aunt. “The Thing - keep up on blood tests. F-Frozen - know y-your ski-lift hours, and don’t jump down d-dozens of f-feet expecting to land on your f-feet, and don’t fall asleep w-with your skin on cold metal. D-damnit, that’s not helping. Uhh - Th-The Shining, Hedge Mazes in the Winter are never a g-good idea. Dead Snow - always b-be prepared f-for Nazi zombies. Jack Frost - don’t bathe in melted snowmen..”
As they walked to find the sun and some firewood, Figaro’s toes definitely feeling the cold, not even realizing how numb they were until they started to painfully warm up. They didn’t know which was worse. The freezing or the warming. So they more waddled, trying to keep their toes from touching the ground with each step. With red-tinged fingers, they undid their coat too. They didn’t have to take Clopin’s survival class at the Magisterium to know wet clothes were a hinderance.
They just let the coat and pack fall onto the ground for now, leaving it behind. Wasn’t like they couldn’t raid some outdoors store in Feral for another one. Fire though - fire. “Damn, why did I sp-spend all my t-time learning cu-curses rather than f-fire.”
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They exhaled warm air into their hands, rubbing them together, wishing they were Ellie right about now. That would come in handy. Actually - for the first time, they felt a little bad for not being more of a help in this whole thing, other than emotional support. But that was quickly pushed to the backburner. Self-pity was not Figaro’s style. Then they started to strip down even more. They didn’t see their body as a sexual object, so stripping down was almost the same as just a guy taking his shirt off. They left their Trailer Park Boys briefs on, though.
“Iorek - will be damn p-proud of us, I think,” They said, looking to Will, their short hair pressed to their face. “And well-jelly that we did it with s-such grace.”
They clung close to Willem though, almost appearing needy, just because they needed that damn body heat. Still cold but slowly thawing as everything around them did as well. As Spring sprung.
“D-Don’t be,” Figaro said. “We’re the motha-fuckin champions. Look what we did. Mostly you b-but I’ll take some credit.” They bent down and ran their fingers through the grass, wet but still growing. The flowers. They plucked one and put it behind Willem’s ear so it created a bright splash of color against his dark, wet hair. “And we always have the d-door still. If we need it.”
“I’m lie - B minus percent sure that I’m going to lose a toe or two, but I thi-think I’m warming up.” The shivering wasn’t so bad as they found a patch of sunlight. It was helping, little by little.
Only Figaro could pull off a quip like that. Hook’s hair indeed. But they weren’t wrong. Willem thought to himself he did have good hair, didn’t he? He ran his hands through it as he thought about it. Maybe he’d thank the ol’ man for this hair someday.
“I do have pretty good hair, don’t I?”
But the world got away from him too fast before he could think on it long. The ice and snow were melting from everywhere. Before they knew it, they were sloshing down a pixie white water river. This was so not the plan, not the plan at all.
If this adventure had been fun at all this part wasn’t. Drudging through the blizzard was one thing, but getting submerged in ice water was not it. So not it. Maybe he managed to get to shore after all that, but now they were chattering and as they looked at poor Figaro Willem felt guilty for the first time for bringing them along. The suffer together motto was really pushing them to the test now.
“I’m sorry Smalls. But don’t worry. You may be Leo, but I’m not Rose. I’m your DaFriend.” He growled. “I’ll never let go.” He pulled as hard as he could flittering his slopped over wings that were drenched.
Luckily, Nelly could fly in the wet cold like a boss bitch. Her wings weren’t real being a doll. She flew on happy thoughts and pixie dust alone. Nelly grabbed the back of Willem and they both pulled. Three big heave hoes later and Figaro was pulled to land.
Willem quickly helped them take more steps back from the water line before it gave way again. He wanted to make sure they were all on stable land.
He didn’t know what to do or how to even dry off. Everything was wet from his whole body, his clothes, his pack, to all of the surrounding forest as snow kept melting around them.
He hugged onto Smalls just thankful to be alive at first. Then it dawned on him he didn’t know where Periwinkle was. He started to look around and call out.
“Peri! Aunt Peri!”
His teeth and lips were chattering as he called out with a frantic look on his face afraid, she’d gone under.
Nelly would point way down the now raging river. Willem was holding Figaro and himself as he squinted as hard as he could.
“It’s her. Way down there. She made it. She’s climbing out of the river.”
Relief washed over him, but they were still stuck with the pressing problem of hypothermia like this.
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“Come on Smalls. We gotta, I don’t know. Get out where the sun is blazing down on us.”
That was all he could manage to think of at first.
“Build a fire if we can find anything dry. Nelly, go look. And-and… and check on Peri.”
Nelly buzzed off like a little bee on a mission for something dry to help while Willem looked up tried to help figure out the best place for them to dry out themselves in the sun.
“It is pretty bright. It’s weird how I can feel the heat of it and still feel this cold at the same time.”
The ground where there was snow would look like puddles of muck like swamp the ground was so wet. It would look like a flood was draining. He pulled his cold soppy shirt off in some attempt to warm up not having it against his skin as they waited for Nelly when things started to keep changing rapidly.
“Uh… Sm-m-malls?”
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The snow wasn’t just melting. The flowers were growing. It was like spring was springing. It was more than just the sun was shining.
The Nevers were coming back to life.
He started to smile despite everything. “Maybe we should do jumping jacks? Keep moving?” No matter how much it hurt. No matter how fast the sun or Pan’s wake up was making things happen.
“Or maybe a polar bear plunge never hurt anybody?” He was trying to look at it from a different angle. “What would Iorek say?” His shoulders were still shivering though.
Back in Pixie Hollow all the pixies were getting excited. They hadn’t been informed yet of Willem’s plan. All they knew was Wild Will and those traitors stole Pan right from the Hollow, their blue dust, and even heard Hook was back which made Will seem all the guiltier. They were all in a terrible depression over it deciding how to proceed when out of nowhere here they were all out dancing in the middle celebrating the weather. Could it be? Oh! Could it be?
Rumors were flying that Pan somehow escaped and was coming to save them all. There never seemed to be a proper rumor for how he awoke when after all this time no one could figure out how to wake him from his endless sleep. Like the dwarves with the Snow White the pixies dwelled on the site of the missing glass coffin like a memorial to the worst tragedy ever to befall Pixie Hollow. Wild Will’s face, the son of Captain Hook and even Figaro’s was in the mind everyone as enemy number one.
What was happening with Pan and Hook? Battling their way out of the labyrinth. The moment he awoke he was up to his old tricks and calling Hook a codfish. Hook was no lost boy. He’d have made his way out and the pair were swashbuckling sword fighting… er hook and wooden knife fighting their way through the Nevers. Pan was trying to get back to his boys and Hook was trying to kill Pan while signaling to the crew back on the Jolly Roger.
While the pixies were celebrating the weather and Willem was just thankful, he and Smalls were alive and that his plan was working, he’d saved the Hollow, Hook was getting word to Pirate Cove that Wild Will was a traitor. Everything he’d worked for in the magic door at Funky Town was being torn apart for the Nevers, the pixie’s safety, his mother’s home that Tink abandoned herself, and for Delta’s alliance with the pixies in Feral. As Willem watched the flowers grow and even though he was smiling that this phase of the plan had really worked, the chill that was down to his bones felt more real than ever as the reality of what this was going to damage crept up in his heart.
Where were his happy thoughts going to be now?
It was the first time in all this that pirate admitted to Smalls, “I’m a little scar- worried.” He’d been terrified of his father all his life all while he was his right hand, but he knew he might have just crossed a line that couldn’t be uncrossed again.
“We can fix this. There’s always a next plan.” He nodded as if to reassure himself of being able to handle whatever came after this. “We did the right thing. You okay?” He asked as he kept watching for Nelly to come back.
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rozugold · 5 days ago
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google how do I stop being mad over something stupid
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silvrrsun · 3 months ago
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Peer reviewing equations was suddenly more enjoyable for both of them…
Plus a closeup because I love details even if there’s not that many ragghhshh
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thepersonperson · 2 months ago
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Autism in JJK Part 1 (Isolation and Movies)
Notes before we start.
1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.
2) I will be mainly using the TCB scans for the manga because of their accessibility. 
3) Read the light novels.
(Click images for captions/citations.)
Preface
Dungeon Meshi is heralded as The ultimate story of incompatible autisms. Everyone recognizes Laois and most of his party as autistic. Each of these characters are able to use their specific types of autism to solve problems throughout the series.
Laois’s autistic traits in particular have drawbacks when it comes to others’ perception of him. To directly quote one of the best Dungeon Meshi text posts on this site:
“Dungeon Meshi is about a quirked up white boy on a quest to save his sister and perhaps indulge his special interest along the way. He's a man of pure heart who has done nothing but help anyone he's met. Then part way through the story you start seeing other pov characters and it turns out every single person who has met him outside his party has read his awkward social skills and love for grilling as a sign of something deeply evil and has vowed to kill him on sight.”
Using Laois as a reference, I want to argue that Jujutsu Kaisen is the penultimate story of incompatible autisms.
Addendum/Disclaimer
I’m heavily drawing from experiences with my particular brand of autism for this analysis, so I’m bound to not properly consider everything. My words should not be taken as gospel since autism is a wide spectrum that manifests differently for each individual. Certain autistic traits will show up for one person and be completely absent in another. (And I personally think JJK does a great job of showcasing this variation.)
There is also significant overlap between Autism and ADHD which I’m not qualified to make connections with. (Basically if you have ADHD feel free to explain how you see yourself in these characters too.) There’s probably other readings that have flown over my head, but please understand I’m not trying to be malicious.
The main traits I’ll be referencing are:
Social Unawareness
Bluntness (and it being perceived as rudeness)
Taking Things Literally
Double Empathy Problem (the non-autistic and the autistic have a hard time understanding each other’s way of thinking and therefore struggle to communicate with each other)
Emotional Blindness/Alexithymia (difficulties with understanding and articulating one's emotions)
Hyperfixations
Special Interests
(Stimming is left out because of Tumblr's 30 image limit. Someone else can make that post for me.)
Mahito’s Autism
Strange title section right? Allow me to defend it. Mahtio’s Domain Expansion (DE) Self-Embodiment of Perfection is localized from 自閉円頓裹 (Jihei Endonka). The first two kanji 自閉 (Jihei) create the Japanese word for Autistic. Where 自 (Ji) is self and 閉 (Hei) is close/shut. The Japanese word for Autism is 自閉症 (Jiheisho) where 症 (sho) means disease. A very literal translation of Jiheisho is “self-shut disease”.
Equating autism to an illness that causes one to shut themselves inwards is flawed in its framework, but not wrong in describing the unique isolation autistic people face. If the kanji used didn’t clue you in, Japanese society is much more hostile to the autistic than English speaking countries. This is in part due to many autistic traits being seen as socially unacceptable for deviating too much from the norm.
There’s been a whole study on this if you want to know more. (This study allowed for self-diagnosed people to participate and included non-binary gender options, so I’m comfortable using it.) Quoted directly from the source: 
“Many autistic individuals engage in social camouflage and attempt to use social interaction to obtain job opportunities and other benefits. The aforementioned ‘need’ of autistic individuals to engage in social camouflage forces them to continuously pretend that they are non-autistic. This is associated with significant manifestations of mental health deterioration, such as depression, generalised anxiety, social anxiety, suicide attempts, and burnout because of exhaustion and fatigue.”
“Markus and Kitayama refer to Japanese and other East Asian cultures as ‘cultures of interdependence’. In these cultures, the primary challenge faced by individuals is to conform without standing out and pay more attention to others than oneself. Thus, the ‘uniqueness’ of autistic people can be perceived negatively, and it can threaten relationships and interpersonal harmony within the community.”
Now what does discrimination against autistic people have to do with Mahito? Well, everything. Mahito manifested as the hatred between humans, making them unique within the Natural Disaster Curses group. This causes friction in their relationships with the other curses, mainly Jogo.
When Dagon dies, Jogo mourns. When Hanami dies, Jogo and Dagon mourn. When Mahito learns about this? They react like this.
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Totally not appropriate for the situation. You could chalk it up to them being a curse, but the other curses have already shown they’re capable of caring deeply for each other. 
This isn’t the only instance of it either. In the light novels, Mahito really gets into movies to better understand humans which results in this.
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Jogo simply does not know what to do with Mahito becoming a filmbro. 
Jokes aside, Mahito is using movies and other forms of media to better understand people not like themself. And despite their efforts to better grasp emotions, this causes Mahito to become even more alienated from his peers. He’s in his own little bubble and his way of thinking is boon when fighting but a bane for his relationships. There’s something very autistic about that. 
Shared Special Interests
On the flipside, Mahito’s movie and book fascination causes them to create a bond with a blind homeless old man that lives under a bridge. But it’s only because the two of them have this interest in common.
As stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 3: Allegory in Darkness, Mahito has canonically read Kafka. 
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And that line at the end. “It makes talking to you easy.” This is the same phrase Mahito uses when grooming Junpei. Though Mahito’s relationship with Junpei is one of manipulation, it started as something rather innocent—they both went to the theater, saw the same movie, and were annoyed by the people disrupting their viewing experience.
That small connection, their shared interest in movies caused them to bond quickly and Mahito used it for manipulation. (This is not unlike how minors in fandom spaces can be groomed by the adults around them.)
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Mahito learned how to be this way in part by studying media and applying it to their actions. They can’t interact with most humans 1-on-1, so their main source of understanding them is media, which gives them this warped sense of reality. Think Plato’s Allegory of the Cave. Mahito doesn’t know better because this is all they know.
It’s no wonder they conclude that humans at the core are creatures that eat, sleep, and rape (Ch 49 Pg 18 Sorry I ran out of image space). Think of how many “the joke is sexual assault” type characters there are in Japanese media alone. (Let’s not ignore how bad it gets in American 80s comedies too.)
Mahito is essentially a blank slate with no frame of reference for morals, critical analysis, or media literacy in general. It’s not very surprising they take everything at face value and then use it for evil.
And that’s why I wanted to discuss them first. Mahito is a reflection of humans and their reaction to media has echoes in how other characters, who are probably autistic, navigate their relationships with themselves and other humans. 
Itadori Yuji’s Autism
When I say Yuji is pure and the goodest boy in the world, I’m referring to the unbridled autistic joy in which he interacts with the world. He’s not much different than Laois from Dungeon Meshi. The way Yuji introduces himself to others is unhinged. He frequently does and says things that are not socially appropriate in the slightest. Whatever comes to mind first he acts on, no filter.
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But being unhinged isn’t necessarily autistic. What gives this the ‘tism is the socially inept internal logic that goes into Yuji’s decision making. Dudebros may refer to it as locking in, but it is better known as hyperfocusing. You give Yuji a task and he Will complete it, anything in his way be damned.
Ijichi gave Yuji a task. Figure out if this person is an enemy and make sure nobody gets hurt. Interrupting a convo and pantsing a guy to complete this task is Yuji autistically logicing his way around setbacks. What’s a non-violent way to get someone to leave? Stealing their pants, probably. Things like social rules don’t matter if lives are at risk. 
Don’t believe that’s socially-blind autistic logic? Let me give you this guy from 4Chan and myself as an example. As a child I was told I should never lie no matter what. At 8 years old, I did something that upset my teacher. I didn’t know I had upset my teacher until I was asked to write an apology letter by my parents. So in my little pea brain, I had no reason to apologize because that would be lying. I then wrote something along the lines of, “I’m only writing this apology because my parents are making me.” (I got yelled at for this which confused me even more. What do you mean you want me to lie, mother???)
You can see this kind of logic with the finger eating especially. Yuji took Megumi’s words very literally and ate a mummified human finger because that’s what was needed to save lives. This isn’t a one off thing either, it keeps happening over and over—Yuji taking the most literal interpretation of the words spoken to him and acting on them in the most autistic way possible.
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I love the Nanamin alert especially because only Idatori Yuji would think to do that. It also a neat showcase of the double-edged sword that can come from autism. Yes, Yuji effectively and quickly relays important information to his allies, but to their enemies as well. He also does it in a way that gets him bopped on the head by Megumi. Kind of like how going along with Gojo’s plans has him bullied by his classmates.
This happens a lot too—Yuji doing what others tell him to do, filling in the blanks when they fail to elaborate on the how to, and it backfiring.
There is nothing more autistic than doing exactly as you are told and getting punished for it. 
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Nanami tells Yuji not to call him Nanami-sensei. But he doesn’t tell Yuji what exactly to call him instead, so he guesses. And since Yuji is socially unaware to a degree, he comes up with Nanamin instead of the Nanami-san that would’ve been more polite.
Megumi and Panda tell Yuji to lie. But lying isn’t in his nature so he really sucks at it. Pretending he doesn’t know who Gojo is because 1) he was told to lie and 2) Gojo is a part of the group Yuji is was explicitly told not show any familiarity with, is peak autism logic.
It’s all a part of Yuji’s charm though. Despite his autistic traits getting him into plenty of trouble, they also are a big reason as to why everyone loves him. 
Yuji’s Autistic Rizz
Yuji seems to mirror other people both to better understand them and because he’s relying on them to show him how he’s supposed to act. (More on that here.) Most of the time this is played for comedic effect, but sometimes it results in instant pair-bonding. I think that’s the autism-to-autism connection being made. (It’s also known as the morphogenetic field if you’ve played 999.)
Just like how Mahito used movies to bond with Junpei, Yuji does it too. But he uses this shared interest for good and provides a counter to Mahito’s grooming.
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And lookie here, he can even utilize his love of movies to bond with people who aren’t into them at all. Junpei’s mom may not get it, but she’s endeared by it. This unparalleled autistic rizz is fundamental to Yuji’s character. And in my opinion, his relationship with Todo Aoi best showcases this.
Everyone knows that Todo and Yuji’s shared love of tall women with big butts is what brought them together. But what’s most overlooked is the specific tall woman with a big butt that made this possible in the first place. Before Todo even asks Yuji for his type, Yuji makes it known he is aware of who Takada is. (He happened to see her on TV as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Ch 4 Pgs 89–90. Ijichi is the secret Takada fan.)
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Takada is who prompts Todo into asking. She is also the one who appears in Todo’s delusions, guiding him to victory and driving most of the reasons behind his actions. With great confidence I can say Todo’s special interest is Takada. (And most of the fanbase assumes he’s autistic, so I don’t feel the need to explain that more.)
And what’s crazy about his special interest of his is that it fudging works. Takada and his love for manga help Todo create successful strategies. I include his love of manga because his fakeout with Mahito is a Hunter x Hunter reference.
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It’s a bit spoilers to discuss how exactly this is genius, but you’ll have to trust me when I say it’s very clever. Rather than simply nodding to the source material, Todo is using the twist reveal from that scene and subverting it to help Yuji win.
This is nearly identical to Laois utilizing his special interest monster knowledge to create victories out of what would be defeats for other characters. Todo weaponizes his autism in a way that works perfect for sorcery.
But when it comes to interpersonal relationships? It destroys them. Everyone who isn’t Yuji hates Todo. 
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Todo Aoi is second to Gojo Satoru when it comes to characters considering him the greatest source of stress. (Momo, Mai, and Kamo with Kokichi dedicating pages 43–46 of CFYOW JJK Thorny Road at Dawn, Chapter 2 to how much Todo stresses him out.)
They’re most annoyed with him when he talks about his special interest—Takada. She is a huge reason as to why Todo is such a good sorcerer, you could even call her The Reason he’s so good. People rely on him quite literally weaponizing his autism. But when he starts being autistic outside of sorcery? They don’t tolerate it. 
This is a recurring problem for autistic sorcerers. The very people that depend on their weaponized autism will scorn it the moment it no longer serves them directly. It’s a very Not In My Backyard (NIMBY) mentality. Sure they want all the benefits but keep the drawbacks out of their sight.
Yuji’s Loneliness
Just like Todo, Yuji suffers from social disconnect due to his autism. He feels like he struggles to understand and connect with others on a deeper level. His own feelings and other people’s feelings are sometimes a mystery to him.
On a surface level Yuji seems to be on the same wavelength as Junpei through their shared love of movies. That is until they fight each other. Yuji doesn’t understand that Junpei is acting out of grief at the start of their fight. He says something insensitive at first, but he eventually asks Junpei to spell things out so he can understand what’s going on.
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It takes until the end of the Sukuna fight for Yuji to truly connect with someone—Megumi. But it’s only because they both make their feelings known directly to each other. Before that though? As discussed earlier, the autistic traits that make him good at sorcery are often off-putting to others.
I mentioned how Yuji mirrors others in what seems to be an attempt to understand others in that post I linked. In the same one I also discuss how Yuji is able to decenter himself and sync up with just about anyone. With respect to his autism, this really reads like masking to me. 
When Yuji lets that mask slip and indulges his personal hobbies, it’s a toss up on whether or not he’ll be accepted or rejected. The movies that allowed him to pairbond with Junpei don’t work for everyone. Just like Mahito with Jogo…being a filmbro causes friction with Megumi and Nobara. 
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Though Yuji otherwise gets along very well with Megumi and Nobara, there is something so very relatable and sad about seeing this particular hobby of his being trashed. What’s worse is that the 2 people who would’ve matched his freak in this regard are both dead: Junpei and the one who intensified this interest of his in the first place—Gojo Satoru.
Gojo Satoru’s Autism
I must confess, this entire post got written because of this anonymous ask I was sent a while ago. I was surprised to get it since I assumed everyone understood Gojo to be autistic by default like Laois Dungeon Meshi. So I’m going to copy and paste this anon’s words because all their observations are correct.
"As someone with Autisim, I heavily identify with how he was raised (the gifted child who is too observant vs the prophesied child who was raised to be a weapon first) and the way other react around him (treating everything he says and does with disdain)
I find the way he clings so strongly to the idea of strong and weak even after Geto and Toji yet still having a sense of justice/ noticing the unfairness of it all, his sensitivity issues, his ability to notice emotional cues yet not having the means to respond in an allistic way, his tendency to take his jokes and teasing too far/ act too close to people, and the general othering of him just screams autism to me. Like can see a lot of those traits which is usually tamped down by society being exasperated because, what are you going to do, he is the strongest, you can't just tell him off in a serious way, not when, in your society, the strong rule.
I see it especially with his students, where he's taken in all the misfits and is so casual with them in day to day life. Even him throwing them in the proverbial deepend with missions is probably how he was taught by his clan before entering jujitsu tech."
And directly from Gege via the special Gojo Booklet. 
"Q25: born and raised as a high-born, he is regaled by both himself and others are the strongest, and he seems to have want of very little, but what would you consider Gojo's weakness?
A25: His personality.
Q26: what would you consider Gojo Satoru's most intrinsic strength, when you put aside his innate abilities, influence, and physical prowess? 
A26: His personality."
Thank you Gege for stating it so bluntly. The part of Gojo’s personality that is both strength and weakness. Something that makes him a great sorcerer and socially isolated. That’s the autism.
Now that we (that anon) has established that Gojo Satoru is definitely autistic, let’s go over how this has affected his interpersonal relationships.
Improper Socialization
The Gojo Booklet has forever ruined me. Deep in my heart, I knew this was going on, but to have everything confirmed so bluntly is something else. To summarize:
Gojo was born and raised in Kyoto by an extremely closed-off traditionalist family. His Clan treated him as an investment rather than a person, focusing on his education as a sorcerer and neglecting him emotionally to create the perfect living weapon. It’s implied he was educated privately and did not attend a school with other people until high school. It’s also implied that the Clan kept Gojo under strict watch while his powers developed because of the assassination attempts. Regardless, the isolation, training, and exploitation he endured was severe enough for him to break out and run away multiple times. His attendance at Jujustu Tech in Tokyo was his first time being allowed to interact with others on his own terms rather than his Clan’s.
This means that until Gojo was 15, he likely never had friends. His interactions with other humans amounted to deification, a type of objectification where he was expected to be a tool to further other people’s comfort. Essentially, up until he met Geto, he only knew how to exist as a living weapon. 
I don’t think I need to explain why this would negatively impact socialization. Anyone raised by extremely strict/abusive parents or a cult will tell you how difficult it is to try and interact with normal society after having social skills deliberately stunted for most of your life. This lack of socialization is only compounded by autism. Not only is a sheltered autistic person inclined to be socially unaware, they have no frame of reference to what is socially acceptable.
I’ll use myself as an example. The only reason I’m not completely unpalatable in conversation is because public school allowed me to observe what normal human interactions and mannerisms look like. Otherwise, I’d be like Mahito—learning about the world through the limited media I was allowed to consume. (And even then I still took it at face-value for a pretty long time.)
Gojo is sort of in the same situation as Mahito. His Clan reportedly spoiled him rotten, so he was probably allowed to have all the toys, TV, movies, books, and games he wanted between obligations. This means that it is very likely his ideas of the world at large come from media. And boy does it seem to have affected the way he is.
Trying to Connect with Others
Nanami directly compares Gojo to Mahito. Megumi straight up thinks Gojo and Yuji are the same kind of person as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 1: Kiyujitsu Kaisen.
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So like Yuji and Mahito, Gojo will use media he’s familiar with to make sense of the world around him and hold conversations with others. (In the anime they have Gojo do the tornado kick which straight up appears to be him doing an in-verse reference to Code Geass's Suzaku Spin Kick aka the Spinzaku Kick. Please do not ask me how I recognized this.)
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And would you look at that. Most people do Not know how to handle this. Not even Geto who is more visibly confused by his Digimon metaphor in the anime.
I can’t really blame them for their reactions either. Gojo is such a special combination of unfortunate circumstances and experiences that you might as well be listening to someone speak an unknown language. 
This goes both ways too. Gojo himself has a very hard time understanding others and tends to take the words of others Very Literally. (Just like Yuji!) This leads to him experiencing the Double Empathy Gap the most when compared to other autistic characters.
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The Geto stuff is the most tragic to me. Gojo checked in on him and Geto lied about his feelings. To Gojo, Geto is his best friend. Why would he lie to him? Geto says he’s ok so Gojo thinks he’s ok. (That’s not even getting into the higher ups overworking them both and keeping them separate on purpose.) His upbringing and his autism made it impossible for him to read between the lines, so Geto's betrayal very much comes out of nowhere for him. 
The same happens with Shoko okaying the desecration of his corpse, Nanami calling him a pervert and everyone agreeing. Gojo truly believes that the people close to him see him in a very one-dimensional way and there’s nothing he can do about it. After all, he was raised to be a weapon and nothing more.
Funnily enough, Gojo’s Alexithymia is so bad that parts of the fandom have seemingly done the double empathy gap thing to him with respect to his flower metaphor.
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“There was always a gulf between me and other people, even if they adored me. You can admire a flower and help it bloom…but you can’t ask it to understand you.”
To me, all Gojo is doing here is explaining his feelings as best he can. Floral language is a big thing in Buddhism which is probably why he makes the comparison. However…I’ve seen interpretations of this that conclude Gojo believes himself so far above others that they might as well be non-sentient plants. To them, this metaphor speaks to his arrogance rather than a clumsy/poetic attempt to communicate his feelings.
I’ll use myself as an example to explain why I think it’s just the autism in action. I often like animals way more than I do other people. Snakes, birds, lizards, spiders, and scorpions are amongst my favorites. Sometimes I compare people to these animals.
What I mean: I think highly of you! You share traits with my favorite animals and that makes me happy.
What others can hear: I think you’re stupid (lizard/bird brained), untrustworthy (a snake), and lesser than me (a bug/arachnid).
Now I could be projecting because I see my autistic traits in Gojo, but I do find it fascinating that how you view Gojo’s flower metaphor is highly dependent on how you feel about him.
Regardless, it does a great job at illustrating how isolated Gojo feels from others. Sometimes my autism makes me feel like I’m a completely different species because I can’t interact with people normally. And in Gojo's case, he can't even refer to himself as a human. The disconnect from others and his dehumanization is so strong he feels he can no longer identify as human.
No one’s autism is exactly the same, so this rift can even exist between autistic people. This is how you can get Yuji and Gojo bonding over their shared autistic traits but not fully understanding each other and feeling isolated for it.
But it’s still really sweet that they connect with movies so well that Gojo’s filmbroness rubs off on Yuji.
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It’s also a little concerning that Gojo refers to these movies like a catalog for emotions. Like the proper way to experience emotions is through media and not in person.
The training Gojo subjects Yuji to with movies is likely how he was trained as a child. This suggests that for the first 15 years of his life, movies and other media might have been his only frame of reference for everything not Jujutsu Sorcery. And I mean Everything.
Combine this with The ‘Tism and this could possibly explain exactly what is wrong with Gojo Satoru. (You already know where I’m going with this.)
Gojo’s Racism
Here’s a list of movies for sure Gojo has watched. And for no reason in particular I’m going to include if they have a black person (like myself) in them.
Sourced from a Gege Interview.
Léon: The Professional (1994): Yes
The Descent (2005): No
The Host (2013): No
The Emperor's Naked Army Marches On (1987): No
Deep Blue Sea (1999): Yes
Extra movies from the anime. (Aka probably canon.)
Juggernaut (1974): No
Lord of the Rings: The Fellowship of the Ring (2001): No
That's only 2 movies with black people in them. I went ahead and watched them to confirm my suspicions...
Léon: The Professional (1994)
Not much to say about the black characters here. From what I saw and the IMDb list, they're all men and they're all background characters. Also I couldn’t finish the film because of how creepy it is towards the 11 year old actress. (It's really bad. Like really, really bad. Traumatized the actress, Natalie Portman, kind of bad. Wish I had a content warning!)
Deep Blue Sea (1999)
Gojo wasn't lying, the heroine died spectacularly. However in terms of spoilers, he glossed over the actual twist death. There's also someone who dies by being bit in half by a shark. And the way those legs looked like Gojo's...
There are 2 black characters in this movie. One is a jovial goofball chef who somehow survives to the end. (Miguel calls this trope out specifically in JJK 255.) There are so many points in this movie where he should've died. His name is Preacher and he has a parrot that is a Red-Crowned Amazon by the way. The other is a rich investor played by Samuel L Jackson who does Not fall into the Scary Black Man trope for once. Preacher doesn't either, he's more of a Gentle Giant.
Both of them function in the film as a subversion of the Magical Negro trope. And after watching this movie, I think Gege was inspired to make Miguel Odol fill this role too.
Anyways, the takeaways from this are 1) Black people are underrepresented in media. 2) What is representing black people in popular media isn't all that varied.
This means if media is your only exposure to black people, those representations will be internalized if you're uncritical about it. (You're reading this on Tumblr I assume you believe racism is real.) It's unconscious most of the time. People usually don't actively go, "Wow black people are all like this!" What happens is they run into a black person irl, are reminded of their impressions via visual similarity, and then say or do some out of pocket nonsense. (I have personally experienced this at the hands of Japanese tourists.)
And what does Mr. Gojo Satoru say to Miguel first? He says Miguel looks like he’ll be trouble. Later he says Miguel's strength and build are because of his race and what makes him dangerous even though Gojo knows several Japanese men with similar physiques. 
If he's never met a black man irl before...he must have gotten that idea from somewhere else. He does mention knowing the MMA star turned comedian Bobby Ologun (a big strong and goofy guy) when comparing him to Miguel.
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Bobby Ologun is Nigerian. Miguel is Kenyan. Do you know how pissed East Africans get when lumped into the same category as West Africans and vice versa? (For the less informed please see Western Europe’s hatred of Slavs and other Eastern Europeans.)
But as far as Gojo knows from his media, black men are big, strong, and funny. The media he consumes also doesn’t bother to distinguish the different cultures of Africans. Dark Skin=Black and that’s it. And his dismissal of Miguel's distress over the loss of his rope only highlights that apathy towards individual cultures.
All this has terrible consequences for Miguel in the form of Benevolent Racism. This is where a prejudice that can be perceived as positive has negative outcomes for the target. Aka Gojo commits a racially motivated beatdown because of his ignorance that was fueled by the media he consumed growing up. (Miguel's Cursed Technique reminding Gojo of Toji not withstanding.)
Now I’m not saying autism makes you racist. It’s that Gojo’s isolation from the outside world, being raised by emotionally distant conservatives, and consuming media uncritically with his unique brand of autism creates the disaster that are the words coming out of his mouth.
Gojo being this kind of racist. Where he idolizes a type of strength in black people he learned from stereotypes in his movies, is great actually. I really like that Miguel calls it out and is sick of it. He even sarcastically tries to throw back the stereotypes about Japanese people to make his point too.
And guess who else only knows of black people through movies? Sukuna. He’s an art freak, there’s no way he didn’t watch some of those films Yuji was watching. And Miguel can smell it a mile away. Sukuna gives him that look and Miguel is already done with it. Honestly the way Miguel enforces his boundaries is great. He knows his limits both with risking his life and tolerating racism.
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Anyways, Gojo Satoru has been running on 3 hours of sleep, sugar, and Reverse Cursed Energy like a madman for years. I don’t think he’s ever sat down and gone, “Huh? Why do I think the way I do? Why do I believe this?” Miguel is probably the first person to ever tell him, that’s racist my dude. (This is an explanation not an excuse btw.)
And that’s kind of the problem. Gojo is willing to learn and do better, but he hasn’t had the time do it on his own. Some outside force has to tell him bluntly, “Yo this isn’t socially acceptable.” (Think of how Geto influenced his morals and manners by telling Gojo exactly what he should do.)
This leads me to believe his mind is a hodgepodge of things he’s uncritically absorbed as a child and that has influenced his questionable beliefs/actions as an adult in ways he’s unable to recognize.
Gojo’s Other Problems
Outside of racism, Gojo’s most unpleasant traits include mild sexism and child endangerment. The sexism comes from how he speaks to Utahime and how treats Shoko compared to Geto. Though he otherwise does not outwardly discriminate against them, it is sus that he sees Rika, a girl transformed into a cursed spirit, and goes "Dang, women are scary." (The child endangerment is self-evident.)
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For some reason, Gojo truly believes for some reason that the woman (Shoko) in his life isn’t emotionally capable of being on the same level with him as a man (Geto). This could just be a strength-based thing since Geto told him that’s why they can’t be together anymore. It’s really hard to tell. But if it really is a sexism thing, media in general being misogynistic could explain it. (On top of being raised by a traditionalist family in a society that is very sexist.)
Well-rounded female characters whose complex emotions and inner lives are explored in depth can be very hard to come by, especially in popular media. (If you want media that primarily focuses on female characters GO READ UMINEKO NOW.) A lot of the movies and manga Gojo consumes treat women as love interests first and people second. And since you’re reading this on Tumblr, you’ve probably seen posts that complain about this and how this feeds into irl interactions.
This idea comes into play with Utahime in a different way. Gojo doesn’t understand that Utahime actually hates him. This is a bit odd given that he usually takes people’s hostility towards him to heart. But a place where he could get the idea that her anger is secretly affection is…the tsundere archetype in the mangas he’s so fond of. (Gojo reads a lot of Shonen Jump, it’s no wonder he has negative rizz with women after they get past his good looks.)
Yuji does it, Todo does it, Mahito does it—they use the media they’ve consumed as a baseline for sorcery. They’re the best at what they do for it. There’s no way Gojo isn’t doing the exact same thing, especially when he’s teaching his students. He tries to fit the quirky mentor archetype who uses tough love to guide his students. (His blindfold might be an actual in-verse Kakashi Naruto reference.) And he falls into faulty logic where everything will work out if he leaves it all to his students which fulfills most Shonen story beats.
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The stunt with Megumi that kickstarted this series is a 2-for-1 special. Gojo eating sweets is needed to maintain his technique. Him eating them is acting as a responsible adult. However, getting them several hundred kilometers away from his student who is in a dangerous situation is irresponsible. It may speak to how much he trusts Megumi to handle things on his own, but as an adult in charge of a child? This is very poor judgement on Gojo's end.
I also understand that Gojo's upbringing and Japan's culture (aka it's generally safe for a child to be outside alone) is probably why he's so comfortable leaving a roughed up looking child by herself. But like...he should've called someone for Hana. Maybe he did later? (Another case of is this Gege underdeveloping Hana/Tsumiki or is Gojo truly that careless towards little girls...)
Shonen is pretty notorious for uncritically putting children in situations. It probably doesn’t help that Gojo’s own family was violating multiple Japanese labor laws when putting him to work as a kid. I’m not joking about that either.
Per The Constitution of Japan (May 3, 1947) Chapter III Article 27 Paragraph 3: 
“Children shall not be exploited.”
What constitutes child labor exploitation are outlined in Japan’s Labor Standards Act (LSA) or Act No. 49 of April 7, 1947.
Per LSA Chapter IV Article 56 Paragraph 2:
“…an employer may employ a child of at least 13 years of age in an occupation…which involves light labor that is not injurious to the child's health and welfare…”
Additional protections for workers are outlined in Japan’s equivalent of OSHA, aka the Industrial Safety and Health Act (ISHA) or Act No. 57 of June 8, 1972. 
Per ISHA Chapter VII-2 Article 71-2:
“An employer must endeavor to create a comfortable work environment in order to improve the level of safety and health in the workplace by continuously and systematically taking measures as follows:
measures to manage the maintenance of a comfortable work environment;
measures to improve work methods for work in which workers engage;
providing and streamlining facilities and equipment for workers to recover from fatigue suffered in the course of their work;
the necessary measures to create a comfortable work environment, beyond as set forth in the preceding three items.”
I think it’s safe to say that Gojo not including any of his Clan members in his afterlife scene and being so overworked that he doesn't have hobbies or think much outside of sorcery is proof of this exploitation. Gojo’s self-reported best years of his life were high school and those were still exploitative as hell. The man is a walking and talking human rights violation.
The only time we see child Gojo is from the perspective of assassins staking him out. Gojo himself never willingly recalls his childhood, only his teenage years. He looks so serious and miserable compared to his older self too. (It kind of reminds me of how I was a very quiet, obedient child that blossomed into the yappy evil creature I am now thanks to obtaining legal rights and freedom as an adult.)
This exploitation of children at the hands of adults in Jujutsu Society is normalized in and outside of fiction in their universe. Gojo can tell something is wrong with how he was treated and doesn’t want his students to hurt for it. But he can’t recognize that child labor in or itself is bad, so his solution is to make them strong enough to stand up for themselves. (Aka trying to make a labor union without knowing what a union is. Still breaking child labor laws though.)
Might makes right is a Shonen staple (please see Dragon Ball Z or Baki the Grappler). And though taking that idea to heart seems to be the most of Gojo’s problems as a teacher, there’s an additional issue this genre has—neglecting emotional development and care for the most part.
Characters in Shonen or action movies will go through extremely traumatic events and have little to no reaction to them. (PTSD who? Unless you're goated like Steven Universe Future or Vinland Saga.) It can give people a false sense of invincibility. They also rarely ever discuss the steps that can be taken to handle these emotions. You’ll see characters have panic attacks but rarely how to coax someone out of it. Heartbreak is rampant, but the solutions are to never let go and let it consume you, never how to move on or mourn. (If outright ignoring it like nothing happened isn’t what occurs.)
You can see these kinds of ideas with Geto. A second love is not possible for Gojo. He was his one and only and will always be his one and only. That’s the type of romanticism that has always been in his media.
If Gojo has relied on media to teach him how to feel out his emotions, effectively and healthily coping with grief and breakups is pretty hard to find. Most of the time when media handles those topics directly, it does so in a way that promotes reflecting on your own experiences instead of instructing you how to deal with it. Something Gojo didn’t really have time for. 
In the light novels Gojo greatly laments his own inability to deal with grief. He wants his students to learn how to do that effectively and even employs outside help with this.
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The result of all this is a really overworked weird guy that feels like there’s no way to process his emotions. He puts on a mask when he talks to others and still winds up alienating himself. He’s tolerated for his labor and dehumanized for what makes him good at it. This is all extremely autistic. 
Exploiting Autistic Labor
I want to emphasize again, not all autistic people have these traits. The best sorcerers just happen to all have these traits in common.
Hyperfixating on the task at hand without rest.
Not having a typical reaction to dangerous situations.
Taking words at face-value.
Disconnect from emotions and other people.
Unique perspective for problem solving. 
These are all things that make for the ideal worker. Autistic people are often compared to machines for their behaviors and what is better for the capitalist than a person that behaves like a machine? 
But autistic people are not machines. They’re humans with flaws subject to burnout, emotional dysregulation, meltdowns, off-putting behavior, and isolation.
Jujutsu Society has no incentive to help with these things, especially the emotional dysregulation or isolation. In fact, it encourages this outcome because isolated people are easier to manipulate and exploit. But this also results in the friction these characters have in their relationships.
It’s a situation where they try to have their cake and eat it too. Everyone loves when Gojo is a Jujutsu Pervert in battle. They make him do everything for it. But the second he starts being weird outside of work, they want nothing to do with him. Or they’ll even insult him for the very traits they’re more than happy to use him for. (It’s exactly like Todo. Everyone depends on his battle intuition and reliability. And that all stems directly from his special interest Takada that no one wants to hear about.)
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This creates a very uncomfortable dynamic where Gojo is seemingly bears the burden for everyone and everything while the people he’s servicing refuse to acknowledge it. He’s like some kind of public emotional punching bag or hatesink for other characters because they think he can take it as The Strongest. I don’t know if this is because of the autism, but it is scarily similar to how myself and my other autistic friends get treated by others irl. I think this is why I had such a visceral reaction to JJK 269. I too have experienced allistic people exploiting my labor and then acting like I’ve never done anything for them.
And speaking of JJK 269…Kusakabe has always been that kind of dickhole. He’s been in favor of Yuji’s execution since the start. But that’s not what makes him so aggravating. It’s that he’s too cowardly to do it himself. He once again, pushes the burden onto Gojo. He’s not going to be the child killer even though he wants this child dead, that’s Gojo’s job. Gojo is the tool he and everyone else uses to do the things they don’t like. 
This includes the teaching Kusakabe thinks Gojo is bad at. Per that one flashback, Gojo had to instruct Yuta more because Kusakabe didn't do an adequate job. Gojo had to send Yuta to Kenya to be trained by Miguel because neither of them were doing enough for Yuta. Gojo recognized his own limits and enlisted help. Kusakabe projected his own shortcomings onto Gojo and waited for everyone else to find a solution for him.
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I also want to remind everyone that Kusakabe is wrong about Yuji needing to be executed. Yuji and Sukuna were Kenjaku’s backup plan. Kenjaku would’ve sealed Gojo and started the Merger anyways. In fact, Gojo, Yuji, and Sukuna are the only reason Kenjaku didn’t win. Plus the remaining Sukuna fingers were getting stronger All By Themselves. This means that Kusakabe would just be kicking the can down the road and making it a problem for the younger generation. Gojo was the only adult with enough foresight to do something that would solve the problem.
We’ve also got Ui Ui calling himself the MVP of the Sukuna fight while failing to acknowledge the only reason he could warp in and out without dying was Gojo exhausting Sukuna in the first place. Gojo’s contributions seemingly don’t count because he’s not a person. He’s a tool they used. So all his labor counts as theirs instead.
And because he’s dead, Yuta really is the new Gojo. Please see how Yuta was treated before and after Gojo’s death side by side. 
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(I can’t tell if this is character assassination or the point. But the only person here allowed to criticize Yuta is Todo as far as I’m concerned.) 
Yuta is their new Strongest hatesink who happens to be autistic as hell. And yes, Yuta’s autism is second to Gojo Satoru’s. 
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(Yuta's leans much more into socially unaware straightforwardness and taking things literally. He doesn't have a special interest or infodumps at people and I think that's neat.)
Everyone grills into Yuta so hard over his plans for the Sukuna battle that he experiences the quintessential autistic experience as described by Twitter User PenGwenWithLC:
"The autistic trait that bites me in the ass most frequently is my impenetrable belief that if I show people the truth they will believe me."
Mind you, Yuta is the main reason they won after Gojo died. This boy had Back Up Plans A through Z and they worked. The only person who had valid input on his planning was…Gojo (and possibly Todo). The finger resonance with Nobara was Gojo’s idea (JJK 267 Pgs 4-5...Also let's talk about how if Gojo wasn't a hopeless romantic and scheduled this fight a day or even an hour later, he might have lived based on Nobara's wake up time.). Once again, these are all autistic characters using their unique ways of thinking to solve problems others are too cowardly to address.
And then these same people turn around and disparage them without acknowledging their efforts or emotions. Sure you can call it lashing out because they secretly care about them. (Aka tsundere behavior.) But both Yuta and Gojo take other people’s words at face value. They don’t understand that this is a very fudged up display of affection and internalize it. Gojo died convinced everyone except maybe 3 people hated him and even in death he couldn’t escape it. 
This is also why Gojo leaving Yuta in Miguel’s care was a good thing. Miguel seems to be the sole person in this series who knows how to avoid labor exploitation. Nanami may see work as nonsense and have an overtime mechanic, but Miguel simply does not work overtime. He sets his boundaries and sticks to them.
It’s very ironic that Yuta took flack for respecting the boundaries of a black man that refused to be exploited by the very people that would treat him poorly.
How to Not Exploit Autistic Labor
CW: Discussion of Suicide
The last time I examined the tragedy of Gojo Satoru I wanted him to live and be loved. But I’m not sure if I want that now. It doesn’t really seem like the systemic issues that caused his exploitation have been addressed, and the people he’s helped refuse to acknowledge they are standing on the shoulders of giants. Him becoming suicidal over this exploitation and choosing death because he saw no end to this is a particularly harsh reflection of what happens in reality.
Yuji notices that Gojo is acting out of character during his final talk with him. The arrogant, self-aggrandizing chipper he's used to has been replaced with this timid optimism. Gojo tells Yuji and everyone else to forget about him because he's confident they'll be living longer than him. Before this, previous chapters have shown that Gojo went around apologizing to others and preparing letters in the advent of his death. These are all warning signs associated with an imminent suicide attempt.
When Gojo tells Yuji this is confidence he's never had before, it seems like he means both his plans to go through with dying and that everyone really will be fine and better off without him.
Gojo also makes sure Yuji doesn't catch on to this. (Probably why he didn't do the soul swap too.) Even with his suicide, he's doing his best to make sure it doesn't negatively impact anyone. His final letters to Megumi and Nobara being so unserious is another attempt to make sure their hearts don't break. ...And nobody he devoted himself to in life or death noticed.
This rather bleak ending for Gojo does have a purpose I think. It’s an example of how hypercapitalist work culture doesn’t value your life. You can bend over backwards and put your all into work, but in the end, you’re just another cog to be used. Gojo’s dehumanization was inevitable under this system. This man was born to be used as a tool and discarded once he served his purpose. And because he’s not a person, people get really mad when he does anything outside of what benefits them directly. Since to them, it’s like a machine malfunctioning.
It’s unlikely these people will ever mourn him properly, let alone even acknowledge his efforts (outside of Yuji and Yuta that is). His closest “friends” in death thought of him as a self-serving pervert you know. (Once again, not sure if that’s character assassination or showcasing what Jujutsu Society does to people, but wow does it suck to see.)
But you know who did acknowledge Gojo as a human who did his damned best and is worth remembering? Sukuna.
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Sukuna stopped the whole battle to lavish praise on Gojo and mourn him. He’s done that for everyone who has put up a decent fight against him. The other sorcerers? They do no such thing, even after the battle.
And you know who takes the time to cherish and mourn his comrades no matter what? Jogo.
I excluded Mahito from the autistic labor exploitation discussion for good reason. The natural disaster curses treat Mahito better than most humans have ever treated Gojo. Jogo doesn’t exploit Mahito’s autism, he embraces it. And despite their weird behaviors and beliefs stressing him out most of the time, Jogo does nothing to stop Mahito from being themself. He expresses his distaste, sure, but Jojo otherwise acknowledges those traits are what makes Mahito good for their cause. Mahito is his equal, not a tool.
Jogo doesn’t tell Mahito what to do or feel. He rolls with their shenanigans while wearing his heart on his sleeve. He takes time to mourn his comrades no matter how dire the situation. He acts with their interests in mind at all times—even in death his first concerns are his comrades. 
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Even though Mahito is alive, Jogo worries for them while still having faith in their abilities. He looks forward to seeing Mahito again via reincarnation. I cannot say the same of Gojo’s allies. 
I’m not really sure how to end this discussion since I’m continuing it in another part. But if there’s anything you take away form this incomplete analysis, please let it be this one thing:
Jogo is best girl.
#cactus yaps#This has been my Labor Violations Kaisen.#Even with the blegh ending you can still get an anti-capitalist reading out of JJK.#And with how Gege’s colleagues compare him to Gojo…#Perhaps the cruel treatment of Gojo is how Gege feels about the industry and fans chewing him up and spitting him out without recognition.#The ending sucking is obviously because of health issues and predatory contracts. But people are just saying Gege is a bad writer period.#I don’t think it’s fair to Gege to say all of JJK was bad. This was his first manga. He did a pretty good job all things considered.#Especially because of those interviews. Doing the last arc from the hospital is crazy.#Labor violations both in the manga and for the mangaka.#Wait this is supposed to be about autism.#<-My autism making me lose the plot via hyperfixating on workers' rights. Lmao. Lol even.#You know another piece of media that is great (imo) at exploring systemic exploitation of neurodivergent people?#Joker (2019) and Joker: Folie à Deux (2024).#Both of these movies are good and were never for the incels.#The people who really hate the sequel didn’t understand that the first movie was about​ systemic injustices against the mentally ill.#The sequel just makes that theme very obvious. And the blunt depiction of how that systemic abuses plays out is not for everyone.#Fudge not sure if that is about autism either but I promise I’m Not a filmbro.#I don’t have a Letterbox. One of my top 4 is Freddy Got Fingered.#Will be discussing Yuki Tengen Kenjaku Takaba and Sukuna’s autism in the next part.#mahito#todo aoi#itadori yuji#gojo satoru#jujutsu kaisen#jjk spoilers#jjk meta
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